Barbara Capaldi's Atrium Dance Studio
June 2017 Highlights
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Dance Parties
$15/person

1st & 3rd Friday
R&B Line Dance Party
8:00p – 1:00a

Every Saturday
Latin Night Salsa Party
8:3 0p – 2:00a

1st & 3rd Sunday
Tango Brunch Milonga

12:00p– 3:00p

1st & 3rd Sunday
Ballroom Mix Party
3:00p – 6:30p

Every Wednesday West Coast Swing & Hustle Party 8:30p-11:00p

No partner necessary
Wear comfortable shoes

All classes are $12
Lesson Pricing Info.


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Where to dance
in South Jersey

Our classes

Argentine Tango

Tango is a social dance form that originated in Buenos Aires, Argentina and Montevideo, Uruguay. The musical styles that evolved together with the dance are also known as tango. Early tango was known as tango criollo or simply tango. Today, there are many tango dance styles including Argentine tango, ballroom tango (American and International styles), Finnish tango, Chinese tango, and vintage tangos. Argentine tango is regarded as the "authentic" tango since it is closest to that originally danced in Buenos Aires, Argentina.

Music and dance elements of tango are popular in activities related to dancing, such as figure skating, synchronized swimming, etc., because of its dramatic feeling and rich opportunities for improvisation on the eternal topic of love.

Argentine tango consists of a variety of styles that developed in different regions and eras, and in response to the crowding of the venue and even the fashions in clothing. Even though they all developed in Argentina and Uruguay, they were also exposed to influences reimported from Europe and North America. Consequently there is a good deal of confusion and overlap between the styles as they are now danced - and fusions continue to evolve.

In sharp contrast to ballroom tango, Argentine Tango relies heavily on improvisation, and in theory, every tango is improvised. Although there are many steps and sequences of steps that a tango dancer learns, every dancer is free to modify them.

Argentine Tango is danced counterclockwise around the outside of the dance floor (the so-called "line of dance"); cutting across the middle of the floor is frowned on. It can be acceptable to stop briefly in the line of dance to perform stationary figures, as long as the other dancers are not unduly impeded. (There is a saying about this: "If you look down the line of dance and there is space for you—you're probably keeping everyone else waiting behind you.") Dancers are expected to respect the other couples on the floor; colliding with, or stepping on the feet of another couple is to be strenuously avoided. There are two sides to this: on one hand it is bad etiquette towards the other dancers (and shows your "incompetence" from a strict honor based judgment) - but even more so the leader wants to protect his lady and give her a most memorable time while dancing with him, any collision would just disturb that.

Argentine Tango is danced in a relatively close embrace, with many dancers choosing to remain in chest-to-chest (and sometimes head-to-head) contact, whereas the feet are apart. The couple therefore looks like a "V" on the reverse. The walk is one of the most important elements, and dancers prefer to keep their feet in close contact with the floor at nearly all times, the ankles and knees brushing as one leg passes the other. A striking difference between Argentine tango and ballroom tango is that the follower remains upright on her axis, or may even lean toward the leader (and in a close embrace dances "chest-to-chest" with the leader). In ballroom tango this posture is unheard of. In fact, in ballroom tango the follower shyly pulls her upper body away from the leader whenever he draws her toward him.

Another interesting difference is that in Argentine tango, the leader may freely step with his left foot when the follower steps with her left foot. In English, this is sometimes referred to as a "crossed" or "uneven" walk. In ballroom tango this is unheard of and considered incorrect (unless the leader and follower are facing the same direction).

A third difference is that Argentine tango music is much more varied than ballroom tango music, allowing Argentine tango dancers to spend the whole night dancing only Argentine tango. There is a great variety of music. Canaro alone produced more than 4000 titles. Argentine Tango has its own waltz and a fast dance - called Milonga, the same name that dance parties are called.

Unlike the social version of ballroom tango which has been standardized and thus been relatively fixed in style for many decades, Argentine tango is a constantly evolving dance (even on the social dance level) and musical form, with continual innovation in Argentina and in major tango centers elsewhere in the world. These innovations may offend some traditionalists (there are quite many discussions about what still can be considered tango), but they make sure that it remains a relevant to contemporary culture and society.

Tango dancers usually meet at Milongas, held in Buenos Aires and many other mayor cities world wide.

Argentine Tango Dance Lessons at the Atrium

Argentine Tango Dance Parties (Milongas) at the Atrium



ATRIUM DANCE STUDIO
4721 N. Crescent Blvd. (Route 130)
Pennsauken, NJ 08110
856-661-9166

 

4721 N. Crescent Boulevard Pennsauken, NJ 08110 856-661-9166 ©2008 ATRIUM DANCE STUDIO